Distinctive interiors with soul – this is how one might best describe the work of Ludomira Krzynowek-Wosińska, a graduate of Interior Architecture and Art History, who, after ten years of experience in a design studio, decided to establish her own practice. With ease and confidence, the architect draws inspiration from the atmosphere of historic townhouses, the charm of vintage aesthetics, and the timeless classics of the mid-century modern movement. What also sets her projects apart is a bold and confident use of colour. As a result, her interiors are impossible to pass by indifferently.
In search of her own style – an eclectic blend of inspirations
Her distinctive, authorial style is the outcome of many years of inspiration. Growing up in a typical apartment block did not prevent her from engaging with unconventional design – as evidenced by the ever-present decorative mouldings and a pink bathroom in her family home. Her fascination with craftsmanship – wooden furniture and tiled stoves – was sparked during visits to relatives, while her love for tenement interiors fully blossomed thanks to a family inheritance. She quickly turned her passion for design into action. Already in secondary school, she confidently picked up a paintbrush and tools, assisting her father with technical work and independently restoring old furniture. This hands-on approach to bringing her ideas to life has stayed with her to this day – during the renovation of her own home, she and her husband carried out much of the work themselves.
As soon as she learnt about the profession of interior designer, the choice was clear. Her studies, followed by her first position in a design studio, provided her with essential knowledge and experience, while personal projects undertaken alongside this work allowed her to discover her own style – a blend of mid-century design, vintage influences, minimalism and the atmosphere of historic tenement houses. An important milestone on this journey was the design of her own apartment, as well as projects created for those closest to her. When designing an interior for her brother, Ludomira Krzynowek-Wosińska took the bold step of using strong colours for the first time – set against navy and pink walls, she highlighted a green kitchen. Today, she cannot imagine her projects without at least a touch of colour.
What values and outlook guide your design work? What are your priorities in creating interior designs?
My priority is to listen carefully to the needs of my clients. After all, they are the ones who will live in the space, so I always encourage them to make final decisions primarily in accordance with their own preferences.
Do you have a favourite interior design style? If so, what kind?
It is important that an interior reflects the people who live in it. Often, a home is precisely a mirror of its residents – their experiences, preferences and interests. In reality, my role is simply to bring all these elements together into a single, cohesive and functional whole tailored to the individuals.
Personally, I feel closest to eclectic and historic tenement-style interiors, as well as mid-century design. Lately, I have been gaining confidence in experimenting with bolder colours, and I also enjoy hunting for vintage treasures that give interiors a unique and timeless character. At the same time, my minimalist roots remain present – for example, restraint in form is usually visible in my projects. I also enjoy focusing on the final stage: decorating a home with details that warm and personalise the space. Building a house in the countryside became a lesson in blending styles for me. Alongside modern elements and vintage touches, I increasingly look for inspiration in tradition and local folklore.
What materials and technologies do you most like to use in your projects?
It is well known that budgets often have their own rules, but the quality of materials such as stone, wood – or high-quality fabrics – cannot be disputed. These materials age differently and, as we can see, are capable of standing the test of time. Natural materials and simple forms are certainly close to my heart. I value materials and furniture that have a story, or the potential to accumulate one. I believe such choices enrich any interior.
What are your experiences of working with clients? What do you think is the key to a successful collaboration?
COMMUNICATION AND FLEXIBILITY – from both sides. Construction is a living organism, shaped by many people, so it often requires both great understanding and a strong backbone when dealing with third parties involved in the project.
Can you describe the most interesting project you have worked on?
The most interesting project for me was my own apartment, as it allowed me to confront what I had previously proposed in my designs with how I actually feel in such a space and how it all works in practice. This experience helped me break my own patterns. In truth, any project that challenges conventions is fascinating. Last year, I had the pleasure of designing an apartment for a friend who, as a jewellery designer, also has a strongly defined personal style, at times touching on Art Deco aesthetics. This was completely new for me, as this style is not particularly common today, but I embraced the challenge with curiosity. Every design experience that takes me somewhere I haven’t been before is, for me, fascinating.
Do you offer a consultation service?
Until now, I have not offered this type of service. There hasn’t been a demand for it from clients either, but I believe that if I observe a market need, I will endeavour to respond to it.
